January 13, 2008

Gramp’s Shiraz 2005 ($17)

Gramps Shiraz 2005

Complex and heavy handed bouquet full of pencil lead, polish and even hints of tar. If the opening credits don’t tell you this is juicy fruit-bomb territory, the palate does and in no uncertain terms. This is intense, crammed full of blackberries, plums and all kinds of dark-hued fruit, sprinkled with milk chocolate and balanced by delicious bursts of succulence that add seconds to the fruit’s impressive length. Still one of Australia’s most accessible (in terms of taste and being able to find some at the local bottlo) red wine bargains: unpretentiously warm-climate and fruit-driven in style and appeal. It might be a little too forward for some, but it’s hard to fault as a drink that satisfies from the start of the bottle to the end of it. 17 www.orlandowines.com.au

January 2, 2008

Taittinger Prelude Grand Crus NV ($100)

Taittinger

A lovely new release from the house of Taittinger made using only Grand Cru grapes. Lively and fresh, this beauty is powered by lemon and apple flavours complemented by attractive pastry and nut nuances that feel creamy and light in the mouth before finishing with a cleansing and juicy flash of acidity. A great aperitif-style Champagne that ticks all the boxes for bubbles. 17.5+ www.taittinger.com

November 26, 2007

Pio Cesare “Fides” Barbera d’Alba 2004 ($60)

Pio Boffa of Pio Cesare

On Thursday, Pio Boffa from historic Piemonte estate Pio Cesare was in town showing off some of his exceptional wine at Italian eating institute, Maurizio’s. Just a little on the name: “fides” means faith and trust in Latin and was chosen by the Pio family to reflect the act of faith and trust made when they planted Barbera rather than Nebbiolo in the family’s “Colombaro” vineyard near the Ornato Estate in Serralunga d’Alba.

Supple wine, gorgeous and juicy, tastes like a chocolate truffle filled with red berries. Admittedly, there was the faintest sense of hotness on the palate, but considering the richness delivered in the mouth, this dash of heat is easily overlooked. Complex, thick, lipsmackingly long and just a great, great wine. Looking awesome now, but would love to taste again in future, regularly if at all possible. Modern, exciting, beguiling and ultimately, very wallopable. 18. www.arquilla-wine.com/wine/italy/piemonte/pio_cesare/

November 21, 2007

Amon-Ra Shiraz 2005 and 2006 ($90)

Amon-Ra 2006 ($90)

There are three things I really love about the Amon-Ra: first, the name is cool, but that’s to be expected if you name a wine after Egyptian mythology’s King of Gods, and second, the artwork on the label - the all-seeing eye of Horus - is just so bold and iconic (if only the wine dripped a little more to the left, we’d have a pretty clever Polaroid on our hands).

Oh, and last but certainly not least, it’s a wee bit of a cracking drink! While it’s not the latest release of Amon-Ra, an extra year seems to have really put some razzle-dazzle into the ‘05. Intense, dense shade of purple to the eye, cedar and chocolate to smell. It drinks like a shampoo commercial: luscious, thick and silky, with outrageously clear cut flavours of plum and blackberry driven by fine, drying tannins. The mouthfeel is pure taxed-at-51-per-cent luxury and amazingly rich, dense and juicy. The flavours finish long with nut and coffee flavours weaving in and out. Quite frankly, a show-off wine that epitomises rockstar unfiltered, Barossa old-vine shiraz. 18.5

Also, the current release 2006 which was released in September: Lifted bouquet of plum with swirls of florals on the nose move smoothly into a tightly wrapped palate showing great balance between gorgeously ripe plum and toasty, chocolaty notes driven by an underlying sense of succulence. The aftertaste is deliciously juicy and long. Good wine from a cracker vintage. Will age beautifully. 17.5+ (with plenty of room to blossom).

It seems that every other month, I read online or in print, criticism about these big, bold, Barossan shirazes that smash it at shows and blind tastings because they’re just so obvious, cuddly and ripe. Sure, I enjoy the subtlety and elegance that the cooler climates offer, but surely there’s scope for appreciating both styles? Also, if Barossan winemakers suddenly started trying to craft something other than the warm-climate fruit bombs that they’re so good at, I suspect that many would be quick to criticise their efforts before suggesting that they stick to what they know. As far as I’m concerned, they know how to make good, warm-climate Aussie shiraz and I’m bloody glad they do. www.glaetzer.com

October 31, 2007

Two excellent Merricks Creek Pinot Noirs

Merricks Creek pinot

Earlier this month, passionate pinotphile Steve Naughton from Victorian-based pinot noir specialists Pinot Now flew into Perth for a whirlwind trip through Western Australia. During his visit, he made the time to show some exciting boutique pinot noir to an Oenophiles tasting that by the grace of Tony Blackwell (cheers mate!) I was privileged enough to attend. Fascinating, insightful and thoroughly educational, the night will be remembered as another fond memory in my love affair with that most fickle of grapes.

Two of my highlights of the night were these two beauties from Mornington Peninsula’s Merricks Creek, both crafted by winemaker Nick Farr, son of Gary Farr of Bannockburn and general pinot noir fame and notoriety. According to the website, they’re all out of 2005 stock, but it looks like Pinot Now still have bottles of the normal 2005 pinot noir (rather than the close planted) available for purchase.

Merricks Creek Pinot Noir 2005 ($42.50): Perfumed, pretty strawberry aromas wih a touch of meatiness to boot. Fine, drying tannins wrap themselves around a core of tightly wound, almost minerally red fruit that starts to relax and unwind with time in the glass revealing the complex flavours hidden within. The savoury finish is succulent and persistent. Looked good on the night but really started to shine the following night with dinner when the wine started to poke its head out of its shell. 17.

Merricks Creek Close Planted Pinot Noir 2005 ($52): Looked very big on the night with nougat oak and ripe red berry - verging on “plummy” - aromas. But once in the mouth, unmistakably good pinot: juicy, chewy, textured and more than a touch twiggy with other shades of earth used to colour the inside of the mouth. The finish is succulent and lengthy and the wine seems to dawdle and drag its feet as it makes its way slowly yet surely through the mouth. Really good and easy to approach and appreciate. 17.5 www.pinot.com.au

October 30, 2007

Ringbolt Margaret River Cabernet Sauvignon 2005 ($21.95)

Ringbolt Cabernet Sauvignon 2003

Now this is some good gear - really good gear. A soft and approachable beauty that shows varietal correctness and a sense of regionality for a tad more than what you pay for a main at most neighbourhood BYO Italian eateries. If you’re going out with a group for a meal, better bring a couple of bottles of this as the first will be empty before you’ve had time to go back for your second. Alluringly spicy to smell with clove and bay leaf pushing their way to the front of the bouquet garni pack. Fine tannins glide slowly through the mouth, leaving trails of blackcurrant, vanilla, earth and spice in their wake. The oak manifest itself on the back palate with glimpses of toasty, vanillin lovability and the finish is soft and lingering. The product of fruit sourced from a band of 12 Margaret River vineyards, this is a good wine by all accounts, but factor in the price and we’ve got a true blue Margaret River bargain on our hands. Drink now, now, now. 17.5+ www.ringbolt.com

October 16, 2007

Celebrating 21 vintages of Lenton Brae Semillon Sauvignon Blanc

Lenton Brae

An unnamed wine writer’s response to the Tomlinson family’s invite to the Lenton Brae tasting: “What? 21 vintages of white wines? They’ll be stuffed!”

…not quite verbatim, but you get the gist.

I’ll be honest - before the tasting I had preconceived notions of the ageability of Margaret River white blends, but as I’m a sucker for a vertical tasting and had been impressed with the quality of Lenton Brae wines since my introduction to the family-owned Wilyabrup winery, not attending never crossed my mind.

But first, the abridged Lenton Brae story: Lentone Brae began as part of a 160 acre lot on Caves Road in Margaret River’s Wilyabrup sub-region and had been partially planted by Moss Wood owner Bill Pannell. The initial lot was then sub-divided into three sub-divisions with town planner and architect Bruce Tomlinson (the man who had performed the sub-division) and his wife Jeanette deciding to buy one of the sub-divisions after Pannell’s glowing praise of the land’s soil. While the dream was to replicate Burgundy in Margaret River, initial plantings of pinot and chardonnay fared badly and were ravaged by Rutherglen Bug, leading to a call being made to ex-chief government viticulturalist Bill Jamieson to appraise the carnage.

“You Wilyabrup people are going to make some of Australia’s best dry red wine one day, but not from pinot,” he said. “I think you should face up to starting Lenton Brae again on the basis of no pinot noir at all. Pull them all out, dead or alive. I believe you should restructure the red and white varieties using Bordeaux as the example because of climatic and maritime similarity.”

Based on positive signs shown by Semillon at Xanadu, the variety was then planted at Lenton Brae together with several hectares of sauvignon blanc and the decision made to focus on a dry version of the now-perennial Margaret River semillon sauvignon blanc blend. In 1987, the grapes were picked for the first bottle of Lenton Brae sem-sav and even though the maiden release was “cowardly” labelled as semillon only, the winery’s vision has always been to produce one wine from the two varieties. In the early days, Bruce Tomlinson and Bill Jamieson even blended the two varieties pre-fermentation to further the integration and synergy of the wine.

During the 21 vintages between ‘87 and now, many events have helped write the Lenton Brae story. Perhaps most important was the chapter titled 1995: the year that “prodigal” son Edward returned to the family winery after spending three years as a flying winemaker having experienced vintages in South Africa, New Zealand and California. As if having to quickly adapt to life on the land after leaving a dream New York job in wine retail wasn’t hard enough, the ‘95 vintage was hot and early ensuring that year’s tiny crop ripened early. Semillon was sourced at a premium price and blended with the estate fruit to produce a stunning wine that still looks fresh to this day. Edward’s first “home” vintage was certainly a memorable one.

While stock levels at Lenton Brae meant it wasn’t possible to taste the fruit of all the winery’s 21 vintages, the 16 wines presented provided an intriguing snapshot in the mouth (and on the eye if you’re a design tragic like me) of the role played by Lenton Brae in establishing the popular Margaret River SSB style. Congratulations to the Tomlinsons of Wilyabrup and all those who have played a role in the last 21 years of Lenton Brae. May you continue to define and redefine the semillon-dominant SSB style for 21 more. www.lentonbrae.com

Lenton Brae 1987 Graves

2007: Earliest vintage at Lenton Brae. Fresh, sauvignon blanc dominant nose of tropical fruit. Intense, vibrant, wine with lots of power. Grippy acidity adds to the “oomph” factor. Good length. Much more balanced on the finish. 17

2006: Latest vintage thus far at Lenton Brae. Flint, matchstick and grass aromas. Palate is still packed with vibrant, tropical fruit. Still looking very lively. Succulent, persistent. Good length. 17.5

2005: Outstanding vintage. Lots of green bean characters. Balanced wine. Great texture and power across the mid palate. Ticks all the boxes for a good SSB blend: succulent and juicy and striking perfect balance between poise and power. 18

2004: First vintage to feature barrel-fermented semillon. Shy nose. Fresh, lively acidity still flows freely through the wine. Chewy tropical fruit character. Juicy finish. Lots of “succulent” texture. Less fruit but more texture than last three wines. 16.5

2003: Good vintage: warm, dry with early ripening. Fresh, juicy, vibrant. Flavour profile leans more towards the apple and pear spectrum. Nice length. Shows softer acidity. 17

2002: An outstanding vintage. Also first year the Lenton Brae SSB blend was sealed under screw cap. Outstanding wine. Still showing incredible freshness. Semillon characters open up on the nose with time. Palate features juicy, chewy acidity wrapped around layers of citrus character with a distinct flash of lemon peel. Still so fresh, an amazing wine that could have been made closer to six months ago rather than six years. Huge persistence and length. 18.5

After the first bracket, bottle variation and the wonders of cork started to wreak havoc with the 2001 vintage onwards and I suspect there were many different sets of tasting notes leaving the tasting.

2001: Salty, tending on black bean character on the nose. Good texture. Wine shows some hotness. Semillon dominant flavours. Succulent. Nose started to get a little bit better with time. 15

1999: Very green, very capsicum characters. Pongy, sock-like nose. Very developed and rounded toasty flavours but nice texture. 15.5

1998: Very dark, almost bronzed colour. Hints of cork taint in our table’s bottle. Appealing honeyed characters in the mouth, almost looked like a botrytised wine style. Juicy, succulent, intriguing. 16-

1997: Sweet marmalade and apricot characters. Rich and ripe palate: again, almost a dessert style of wine. Good balance between the fruit richness and acidity. Good persistence. Very classy and an exciting career path for the sem-sav blend style. 17.5

1996: Semillon-dominant nose of honeyed lanolin. Still looking fresh and there’s a squirt of acidity in the palate keeping things interesting. Rounded semillon flavours in the mouth. Succulent and juicy. Remarkable freshness. 17.5

1995: Edward Tomlinson’s first vintage as winemaker at his family’s winery. The product of an outstanding hot and dry vintage that produced very low yields, this wine was supplemented with Great Southern semillon bought at a premium price, but the investment has paid dividends. Smells of dinner table greens drizzled with honey but to taste, still looks very youthful. Could easily be mistaken as a 2005 blend. Wonderfully balanced, gentle acidity, excellent fruit weight. Includes a delicious hint of nut on the succulent and subsiding finish. Terrific wine. 18

1993: Cinnamon aromas. Juicy, bright, still fresh. Starting to show its ages around the edges but the high natural acidity is still working like a vinous Oil of Ulan. Soft and gentle drink. 16+

1990: Fresh, breezy nose. Still showing signs of vibrancy. Some toastiness. Flavour profile still show sparse signs of tropical fruit. Enjoyable juicy and succulent texture, but a touch short on tangible fruit character. 16

1989: Candied orange and lemon peel on the nose. Honeyed. Vibrant. Traces of candied giner on the palate. Oranges reveal themselves on the finish. Juicy, interesting style. 16.5

1987: Orange peel nose. Developed. Some peanut characters. Rounded texture but sour palate. Looks like it’s getting close to “past it”, if not already there. Savoury, last hurrah burst of lemon and lime on finish. 14.5