December 10, 2007

A swag of chardonnay

Chardy selection

Christmas is a time of being busy, hence a lack of updates.

What’s been sitting on my “to-blog” list for a while is a recap of the highlights from a chardonnay line up a few weeks back: kind of appropriate because as the calendar makes its way into the business end of the festive season, chardonnay - along with beer and G&Ts - becomes one of my drinks of choice. Lightly chilled, the current stream of more refined, elegant and not-as-oaked chardies on the market are just as enjoyable on their own or with the lighter style of food we Australians enjoy over the summer.

I’ve also had a chance to taste most of the marquee Margaret River producers’ ‘06 chardonnays and its fair to say that while the late vintage could prove challenging for reds, it could turn out to be one of the great chardonnay vintages in recent memory.

Devil’s Lair Chardonnay 2006: Fragrant coconut on nose. A nicely medium-bodied wine with great texture. Juicy apple and stonefruit flavours with a shade of the coconut promised on the nose that finish long and juicy. An impressive follow-up to the awesome ‘05 and very much in the same stripped-back, minimalist style. 17. 2005 review

Tyrell’s Vat 47 2005: Dry and intense with a squeeze of lively acidity to give it real grunt. The palate is powered by peaches and tropical fruit that work their magic to create a tasty and succulent mouthful of flavour that finishes long with a burst of nut rounding things off. 17

Tyrells Vat 47 1996: The black sheep of the tasting, especially when you’re not expecting an older example of chardonnay to be snuck into the line up, but enjoyable never the less. Slightly polarising and perhaps offputting aromas of dry, salted fish but as a drink, an agreeable rounded ball of texture, nut, earthiness and salt with a little more nut thrown in the mix with all things nutty dominating the lengthy finish. I liked, though some weren’t as impressed. 17.5

Picardy Chardonnay 2006: Judging by the number of times I’m alone in my praise for it, I think I’m just going to have to come to grips that some people aren’t going to like Picardy chardonnay, especially when tasted blind in a line-up. This had all the same things going for it: gentle vanillin oak teases the nose, gorgeous “mealy” texture, attractice medium-weight cool-climate flavours of nectarine, pink grapefruit and stonefruit arranged neatly on a persisitent and juicy palate. Impressive length too. 17

Tappanappa Tiers Chardonnay 2006: Aromas of orange zest play the role of curtain-raiser to a mouthful of chardonnay bliss that has quickly established itself as one of the nation’s best. While the palate is a glorious combination of citrus and nut, these components are woven in such a manner to create a softly-textured and juicy flavour profile that last and last. 17.5+ 2005 review

October 16, 2007

Celebrating 21 vintages of Lenton Brae Semillon Sauvignon Blanc

Lenton Brae

An unnamed wine writer’s response to the Tomlinson family’s invite to the Lenton Brae tasting: “What? 21 vintages of white wines? They’ll be stuffed!”

…not quite verbatim, but you get the gist.

I’ll be honest - before the tasting I had preconceived notions of the ageability of Margaret River white blends, but as I’m a sucker for a vertical tasting and had been impressed with the quality of Lenton Brae wines since my introduction to the family-owned Wilyabrup winery, not attending never crossed my mind.

But first, the abridged Lenton Brae story: Lentone Brae began as part of a 160 acre lot on Caves Road in Margaret River’s Wilyabrup sub-region and had been partially planted by Moss Wood owner Bill Pannell. The initial lot was then sub-divided into three sub-divisions with town planner and architect Bruce Tomlinson (the man who had performed the sub-division) and his wife Jeanette deciding to buy one of the sub-divisions after Pannell’s glowing praise of the land’s soil. While the dream was to replicate Burgundy in Margaret River, initial plantings of pinot and chardonnay fared badly and were ravaged by Rutherglen Bug, leading to a call being made to ex-chief government viticulturalist Bill Jamieson to appraise the carnage.

“You Wilyabrup people are going to make some of Australia’s best dry red wine one day, but not from pinot,” he said. “I think you should face up to starting Lenton Brae again on the basis of no pinot noir at all. Pull them all out, dead or alive. I believe you should restructure the red and white varieties using Bordeaux as the example because of climatic and maritime similarity.”

Based on positive signs shown by Semillon at Xanadu, the variety was then planted at Lenton Brae together with several hectares of sauvignon blanc and the decision made to focus on a dry version of the now-perennial Margaret River semillon sauvignon blanc blend. In 1987, the grapes were picked for the first bottle of Lenton Brae sem-sav and even though the maiden release was “cowardly” labelled as semillon only, the winery’s vision has always been to produce one wine from the two varieties. In the early days, Bruce Tomlinson and Bill Jamieson even blended the two varieties pre-fermentation to further the integration and synergy of the wine.

During the 21 vintages between ‘87 and now, many events have helped write the Lenton Brae story. Perhaps most important was the chapter titled 1995: the year that “prodigal” son Edward returned to the family winery after spending three years as a flying winemaker having experienced vintages in South Africa, New Zealand and California. As if having to quickly adapt to life on the land after leaving a dream New York job in wine retail wasn’t hard enough, the ‘95 vintage was hot and early ensuring that year’s tiny crop ripened early. Semillon was sourced at a premium price and blended with the estate fruit to produce a stunning wine that still looks fresh to this day. Edward’s first “home” vintage was certainly a memorable one.

While stock levels at Lenton Brae meant it wasn’t possible to taste the fruit of all the winery’s 21 vintages, the 16 wines presented provided an intriguing snapshot in the mouth (and on the eye if you’re a design tragic like me) of the role played by Lenton Brae in establishing the popular Margaret River SSB style. Congratulations to the Tomlinsons of Wilyabrup and all those who have played a role in the last 21 years of Lenton Brae. May you continue to define and redefine the semillon-dominant SSB style for 21 more. www.lentonbrae.com

Lenton Brae 1987 Graves

2007: Earliest vintage at Lenton Brae. Fresh, sauvignon blanc dominant nose of tropical fruit. Intense, vibrant, wine with lots of power. Grippy acidity adds to the “oomph” factor. Good length. Much more balanced on the finish. 17

2006: Latest vintage thus far at Lenton Brae. Flint, matchstick and grass aromas. Palate is still packed with vibrant, tropical fruit. Still looking very lively. Succulent, persistent. Good length. 17.5

2005: Outstanding vintage. Lots of green bean characters. Balanced wine. Great texture and power across the mid palate. Ticks all the boxes for a good SSB blend: succulent and juicy and striking perfect balance between poise and power. 18

2004: First vintage to feature barrel-fermented semillon. Shy nose. Fresh, lively acidity still flows freely through the wine. Chewy tropical fruit character. Juicy finish. Lots of “succulent” texture. Less fruit but more texture than last three wines. 16.5

2003: Good vintage: warm, dry with early ripening. Fresh, juicy, vibrant. Flavour profile leans more towards the apple and pear spectrum. Nice length. Shows softer acidity. 17

2002: An outstanding vintage. Also first year the Lenton Brae SSB blend was sealed under screw cap. Outstanding wine. Still showing incredible freshness. Semillon characters open up on the nose with time. Palate features juicy, chewy acidity wrapped around layers of citrus character with a distinct flash of lemon peel. Still so fresh, an amazing wine that could have been made closer to six months ago rather than six years. Huge persistence and length. 18.5

After the first bracket, bottle variation and the wonders of cork started to wreak havoc with the 2001 vintage onwards and I suspect there were many different sets of tasting notes leaving the tasting.

2001: Salty, tending on black bean character on the nose. Good texture. Wine shows some hotness. Semillon dominant flavours. Succulent. Nose started to get a little bit better with time. 15

1999: Very green, very capsicum characters. Pongy, sock-like nose. Very developed and rounded toasty flavours but nice texture. 15.5

1998: Very dark, almost bronzed colour. Hints of cork taint in our table’s bottle. Appealing honeyed characters in the mouth, almost looked like a botrytised wine style. Juicy, succulent, intriguing. 16-

1997: Sweet marmalade and apricot characters. Rich and ripe palate: again, almost a dessert style of wine. Good balance between the fruit richness and acidity. Good persistence. Very classy and an exciting career path for the sem-sav blend style. 17.5

1996: Semillon-dominant nose of honeyed lanolin. Still looking fresh and there’s a squirt of acidity in the palate keeping things interesting. Rounded semillon flavours in the mouth. Succulent and juicy. Remarkable freshness. 17.5

1995: Edward Tomlinson’s first vintage as winemaker at his family’s winery. The product of an outstanding hot and dry vintage that produced very low yields, this wine was supplemented with Great Southern semillon bought at a premium price, but the investment has paid dividends. Smells of dinner table greens drizzled with honey but to taste, still looks very youthful. Could easily be mistaken as a 2005 blend. Wonderfully balanced, gentle acidity, excellent fruit weight. Includes a delicious hint of nut on the succulent and subsiding finish. Terrific wine. 18

1993: Cinnamon aromas. Juicy, bright, still fresh. Starting to show its ages around the edges but the high natural acidity is still working like a vinous Oil of Ulan. Soft and gentle drink. 16+

1990: Fresh, breezy nose. Still showing signs of vibrancy. Some toastiness. Flavour profile still show sparse signs of tropical fruit. Enjoyable juicy and succulent texture, but a touch short on tangible fruit character. 16

1989: Candied orange and lemon peel on the nose. Honeyed. Vibrant. Traces of candied giner on the palate. Oranges reveal themselves on the finish. Juicy, interesting style. 16.5

1987: Orange peel nose. Developed. Some peanut characters. Rounded texture but sour palate. Looks like it’s getting close to “past it”, if not already there. Savoury, last hurrah burst of lemon and lime on finish. 14.5